Walkings ([info]unrendered) wrote,
@ 2007-06-30 20:12:00
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July 1st Update


Hey, Everybody. The first of the month is here again, as it seems to be so quickly every month.

And all is well.

I made a great friend this last month. I got a ticket to visit my sister up in Fairbanks, Alaska. I got wonderful news from my brother and his wife. I had good talks with my housemate. I also made a spice cake, which I felt afterwards, could have used a maple frosting. The cake was actually bit of an anomaly, as I've been in a pie phase. Rhubarb, raspberry chocolate, strawberry, cherry. Lordie it's been happy times.

And upcoming in July, I get to see Kyle again, who is visiting from Denmark. And then I actually get to go to Fairbanks (I will not be making it to San Diego this year, I'm afraid).

In comic news. I drew a Diesel Sweeties fill-in strip, which will run sometime this week. Freelance is going well, although I always welcome new jobs. I also have found a printer for Little Dee book #2 (the printer I used for book#1 is no longer in the biz), and so I will begin pre-press on that and hopefully it won't be too long coming. There is no news on Little Dee syndication, although things continue fine. The plan is still to move Little Dee back to littledee.net on August 1st, including ALL the archive (the syndicate still has a long period after that when they can choose to syndicate, so it does not mean it's a dead deal).

I also completed my usual monthly short comic. This month I am beginning one of my larger projects. This story will be told in little scenes with an underlying theme. I'm not sure how eventually I will piece them all together, if I will develop a quiet and understated plot (I have a few ideas on that), or if it will simply be vignettes, and leave it at that. But right now I have about a dozen scenes in my head, and will begin to draw them, posting them here on my monthly blog when I don't have other random short comics to post. (next month, for instance, I will be posting a comic which Anya wrote and I adapted).

The working title for the entire project is "Cordon by the sea." This month's installment is titled "Silas."

The underlying story revolves around a woman named Mona, who went off to college fourteen years ago and has just returned to the town she grew up in. The town is called Cordon, and is fairly isolated due to it being wedged between the mountains and the sea.

I am guessing that many of you who loved "Bruno" may like this work as a whole, as it shares many qualities. There is a general underlying story, but overall it's simply snapshots of life. Ideas and scenes I find interesting and wish to play out. There perhaps is less humor (as if "Bruno" was so uproariously funny), but I am guessing the feel will often be similar.

I should warn that this month's installment is sexual in topic, although I wouldn't describe it as titillating. There is no actual nudity or sex, or even kissing. But the topic of conversation is sexual in nature. I did jump into a fairly bold conversation in the first installment, but it will help to push me to continue exploring ideas in the future even when I'm feeling gun-shy.

I find sex an interesting topic, because we (most of us) do it, it's embedded in all our culture, it's a significant and incredibly intimate part of our relationship with others, and seems so rarely spoken about. And when it is spoken about, I have rarely heard it in any really exploring and interesting manner.

Also, know that some of the things I wrote I don't agree with, or don't agree with in their entirety. It's just some characters chit chatting.

My influences are many, and as usual, I like to cite the significant ones. Dylan Horrocks certainly was a part. Both his character writing in Hicksville, his tone in his contribution to "Dirty Stories," and also his current Atlas Stories (specifically the "emil kopen" ones). The Hernandez Brothers certainly played a large role too. Gilbert's world building for Palomar, as well as his lovely storytelling and characters. Jaime for his artwork and character studies. Film writer/director Catherine Breillat was also a big influence, her insight into human nature as well as sexuality still blows me away (I certainly don't recommend her films to many, as they are dark, startling, and unusual. but if you're curious to sample them, maybe start with "Fat Girl" or "Brief Crossing").

As far as the city of Cordon goes, it is not a real city. but I have been playing out these stories of Mona in my head for a few years now, and I sometimes imagine a place like Peru. Partially because Peru has a similar "wedged" coast, but also I will be using a number of storytelling devices i have picked up from books, movies, and comics written in Central and South America.

I decided to draw the comic with felt-tip pen (although the lettering is with a Pilot rolling-ball pen). I'm not sure I'll stick with it. I adore doodling with felt tip, but I've simply become addicted to the brush.

Oh, and the pages are for sale (link at the bottom of each page) for $50. Pages from previous short comics I've posted are also for sale (for various prices), even if not listed. Feel free to ask.

Anyhow. Enough dilly-dally.

READ THE COMIC

(archived on waterstreet.)


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[info]frozenrhino
2007-07-01 05:11 am UTC (link)
Wow. That's great work. I love the whole concept of why guys chase (or set themselves up to be chased) by women. My favorite movie (The Tao of Steve) dealt with that as well.

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[info]unrendered
2007-07-01 08:42 pm UTC (link)
Thanks! :)

And I've heard many mixed things over the years about "The Tao of Steve," maybe I should check it out.

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[info]_w_o_o_d_
2007-07-01 07:09 am UTC (link)
Wow, incredible ! I really like the art, and these dialogues were totally out of this world...

Now I can't stop asking myself the question (you know which one).

(I probably wouldn't)

But I don't think you need to explain to the readers what the story is about. I'm sure They'll figure it out themselves (Although their opinion may differ from yours).

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[info]unrendered
2007-07-01 08:46 pm UTC (link)
Yay! Thanks, wood. :)

And you mean, not explain about her coming back from college? Or not explain my influences etc?

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[info]_w_o_o_d_
2007-07-01 08:56 pm UTC (link)
I don't think you need to explain that the story is about a woman called Mona who just got back to the hometown she'd left 14 years ago when she went to college. All this is pretty obvious by just reading the comics, and reading it in avance kinda spoils it. I like to find out things gradually while reading the story. This must be why I usually don't read forewords or introductions.

Talking about your influences is all right, of course.

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[info]unrendered
2007-07-01 09:10 pm UTC (link)
I think I will keep it up, but I hear what you're saying. My feeling is that since it a work in progress, a mish-mash of stories I'll be telling over the next year or two in no particular order, I wanted to give some quick basis for people to go on. But when it is a completed piece, i won't do it at all.

Think of it more as the dustjacket maybe. :)

And fortunately, you will likely never have to be in a :ahem: lineup, so it is no worry. :)

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[info]woggie
2007-07-01 10:16 pm UTC (link)
What I find interesting about their conversation is how they both agree nonverbally about the need to earn a good thing to feel it is sincere, since neither argues the point.

Of course, there's probably another layer beyond that which I'm not yet seeing. :)

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[info]unrendered
2007-07-02 04:50 am UTC (link)
Mm. I love that line because there are so many angles it can be read to mean.

It can also be interpreted as her saying that since he gives himself away for free, he's insincere in intent. Or that she doesn't believe love if it doesn't beat her down first. Or that people are foolish because they can't accept love at face value.

My hope is that she means all of these things. Because who really knows the Truth with a capital "T" anyway.

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[info]skreidle
2007-07-02 12:26 am UTC (link)
I like it. Looking forward to more, if there is to be any. :)

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[info]unrendered
2007-07-02 04:52 am UTC (link)
I hope there will be more. I don't see anything stopping me. :)

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[info]jemale
2007-07-16 03:27 pm UTC (link)
This might sound odd, but what really struck me about this piece is the pacing--which is superb. A well done stilted conversation!

I like how you paid attention to panel compostion, a very good use of the grass, hill and horizon.

And I can see the Horrocks influence in the cloud panels.

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(Anonymous)
2008-03-17 10:42 pm UTC (link)
My favourite pharma supermarket
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WBR,
Alex

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